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CBS Radio presents the news.

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From Washington, here
is Bob Pierpoint.

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Another larger
Sputnik with a dog

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named Curly aboard is now
whirling around the earth

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00:01:30,680 --> 00:01:33,280
1,000 miles out in space.

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The Russians launched an
1,100-pound satellite late last

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night and, so far, both Sputnik
2 and it's canine passenger are

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reported doing well.

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The dramatic
achievements in space

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which occurred in recent weeks
should've made clear to us

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all, as did the Sputnik in 1957,
the impact of this invention

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on the minds of
men everywhere who

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are attempting to make a
determination of which road

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they should take.

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Radio Moscow started
broadcasting time schedules

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for its latest satellite a short
while ago with the announcement

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that Sputnik 2 will pass
over in Washington, DC,

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in just a few minutes from now.

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Dr. Jay Allen Hynek,
well-known associate director

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of the Smithsonian Observatory
at Cambridge, Massachusetts,

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was asked if the half-ton
weight of Sputnik 2

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indicated the Russians
might have a war

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rocket powerful enough to reach
this continent from the Soviet

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Union.

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"It certainly indicates
they have the capabilities

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of launching an intercontinental
ballistic missile,"

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replied Dr. Hynek.

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Now it is time to
take longer strides.

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Time for a great, new
American enterprise.

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Time for this nation to
take a clearly leading role

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in space achievement,
which in many ways

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may hold the key to
our future on Earth.

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00:02:54,750 --> 00:02:57,510
Dr. John S. Rinehart,
also with the Smithsonian

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Observatory, commented
after studying figures

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on the new Soviet
satellite, "I firmly believe

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the Russians could reach
the moon in a few days."

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I believe we should
go to the moon.

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But I think every
citizen of this country,

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as well as the members
of the Congress,

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should consider the
matter carefully.

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Every scientist, every
engineer, every service man,

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every technician,
contractor, and civil servant

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gives his personal pledge that
this nation will move forward

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with the full speed of freedom
in the exciting adventure

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of space.

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We go into space
because whatever

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mankind must undertake,
free men must fully shape.

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On January 25th, 1994, the
Deep Space Program Science

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Experiment known as
Clementine was launched

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from Vandenberg Air Force Base.

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Clementine was able to
deliver more than 1.8

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million digital images between
February 26 and April 22, 1994.

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These images were
quickly accessible

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to the general public
on the world wide web.

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In 1994, President Clinton
cited the Clementine Mission

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as one of the major
national achievements

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00:05:04,770 --> 00:05:08,690
in aeronautics in space.

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This is a segment from the
2009 version of Moon Rising.

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At that time, it featured the
Clementine Lunar Image Browser

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1.5 with instructions on
how to find a Moon Anomaly.

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This is what it
looked like before it

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was taken off the internet.

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Click on the desired
resolution section

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and choose the one pixel
equals 1 kilometer option.

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On the image size in pixels
option, choose 768 by 768.

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You are now ready to see
for yourself the huge object

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on the surface of the moon.

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On the moon map, you
will easily see a dot

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on the top of this crater
and on the lower left.

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Click on the black dot
on top of the crater

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00:05:52,590 --> 00:05:56,360
and the close-up image of this
section appears in the browser.

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00:05:56,360 --> 00:05:58,390
What you see is a
huge object resting

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at the top of what is
known as the Zeeman Crater.

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It appears to be a large machine
or perhaps a large spaceship.

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But one thing's for
certain-- the contours

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of this huge object
present qualities

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which lead to suggest
an intelligent presence.

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You can clearly see that this
image has been smudged over

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and blurred around most of
the object so we cannot see

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the details.

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This little gem was
brought to the attention

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of moon researchers
around the world

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00:06:23,660 --> 00:06:28,260
by Joseph P. Skipper
on May 28, 2004.

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I decided to hire
an image forensics

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expert to take
this official image

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and see what other
pertinent information can

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be gathered from it.

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Jim Hoerricks, an
image forensics expert

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who's worked with the Los
Angeles Police Department,

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was sent various
Clementine images.

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And his findings were
written in a report

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that he submitted
to the production.

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First of all, the
astounding measurements

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Jim made from the
Zeeman Crater object

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00:06:52,240 --> 00:06:56,750
reveal that this anomaly is 10
times the size of Los Angeles.

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10 times the size.

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This, in itself, is
an incredible detail

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00:07:01,710 --> 00:07:03,760
about the size of this object.

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00:07:03,760 --> 00:07:06,010
By using Adobe Photoshop
and some of the filters

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00:07:06,010 --> 00:07:08,030
available within
the program, we were

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00:07:08,030 --> 00:07:10,570
able to bring out more
of the details that

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were lost due to
the image tampering

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00:07:12,300 --> 00:07:14,270
at the hands of the
Department of Defense,

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00:07:14,270 --> 00:07:18,100
or whomever directs the
Clementine Mission archives.

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This enormous object appears
intelligent in its design

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and presents many features we
associate with our technology

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here on Earth.

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In all of the enhancements
of the Zeeman object made

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independently, I am left
asking, is this Clementine image

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00:07:30,980 --> 00:07:33,660
at Zeeman Crater the first
extraterrestrial evidence

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00:07:33,660 --> 00:07:37,390
successfully captured on film
under a public funded program?

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Certainly, the contours of
this area, in particular,

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have compelled me to ask
this question, above all.

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We will never know the
truth behind this image

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00:07:46,720 --> 00:07:48,360
until the Department
of Defense--

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or those responsible for
tampering with this photo--

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release the image to
the general public.

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The smudging used for the
sensory of this object,

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which was photographed in 1994,
was not done with precision

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because you can see small parts
of this incredible, anomalous

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00:08:02,920 --> 00:08:04,100
object.

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00:08:04,100 --> 00:08:06,270
Unfortunately for
moon researchers,

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the Zeeman Crater is located
on the far side of the moon.

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Whether it's still
there or not, we

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will never know until this
information is released to us.

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After I released
the first version

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00:08:17,860 --> 00:08:21,440
of "Moon Rising" in 2009,
the Clementine web browser

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00:08:21,440 --> 00:08:24,090
1.5-- where you
could have visited

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and found these anomalies
yourself-- was taken out.

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They replaced it with the new
2.0 version of the Clementine

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lunar image browser.

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"Moon Rising" must have
raised some eyebrows

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because those who
had seen my film

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were beginning to visit
the image browser 1.5

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and seeing these
anomalies for themselves.

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When you go to this
new browser, you

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will now see the Zeeman
Crater in all of its clarity.

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There is no object there anymore
and there is no smudging,

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blurring, or tampering of any
kind near or within the crater.

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We have to ask ourselves, if
there is nothing on the moon

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to suggest alien moon bases,
strange structures, machines,

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00:09:02,810 --> 00:09:05,650
and possibly advanced
civilizations thriving there,

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00:09:05,650 --> 00:09:07,630
then why is there
evidence of the deliberate

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00:09:07,630 --> 00:09:09,650
tampering of these
and the many images

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00:09:09,650 --> 00:09:13,010
we will present
here in this film?

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00:09:13,010 --> 00:09:15,370
While making "Moon
Rising" in 2009,

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00:09:15,370 --> 00:09:19,190
I had a scene where we would
zoom from Earth to the moon.

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So I needed a 3D
model of the moon.

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And I contacted some friends who
work in special visual effects

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00:09:24,750 --> 00:09:26,670
here in the studios
and asked them

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00:09:26,670 --> 00:09:30,660
where I can go to get an
accurate 3-D model that's

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detailed and looks real.

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00:09:32,630 --> 00:09:35,820
Everyone I talked to
sent me a mapaplanet.com,

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which is on the USGS website.

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That's the United States
Geological Survey website.

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Up until I went there, I was
still under the impression

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that moon is gray,
black, and white

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00:09:46,750 --> 00:09:49,200
because that's the way NASA
and others have portrayed it

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for many years.

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When I hit mapaplanet.com,
the Earth, moon, Mars, and all

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the other planets were listed.

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I clicked on the moon
thumbnail and it sends me

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to a page that has
different photography

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00:10:00,490 --> 00:10:02,160
samples of the moon.

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00:10:02,160 --> 00:10:07,170
But what caught my eye was the
one that says natural color.

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00:10:07,170 --> 00:10:09,660
So I clicked on this and
a whole new impression

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00:10:09,660 --> 00:10:12,000
was put to me about the moon.

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00:10:12,000 --> 00:10:15,520
First of all, I found the skin,
in full color, of the moon

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00:10:15,520 --> 00:10:18,450
that, when wrapped around the
3D sphere in my modeling program

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00:10:18,450 --> 00:10:21,400
called Cinema 4D,
the moon came to life

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in its full, natural color.

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I was totally overwhelmed.

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I started zooming into
the moon's many areas

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00:10:28,747 --> 00:10:30,330
and found some of
the most incredible,

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00:10:30,330 --> 00:10:33,220
full-color photography of
the moon that none of us

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have ever seen before.

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00:10:35,080 --> 00:10:36,920
I was compelled to
download all the photos

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00:10:36,920 --> 00:10:38,470
I could-- and in
high resolution--

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to use in my films.

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00:10:40,230 --> 00:10:42,690
This footage shows you some
of the most spectacular

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full-color photography I've
downloaded from mapaplanet.com,

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00:10:46,824 --> 00:10:47,820
the website.

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00:10:47,820 --> 00:10:51,370
And we are lucky I downloaded
close to 845 images

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00:10:51,370 --> 00:10:55,640
in 2009, because after I
released "Moon Rising," when

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00:10:55,640 --> 00:10:59,510
you now go to mapaplanet.com,
the full-color photos of some

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00:10:59,510 --> 00:11:01,850
of the most revealing
and important areas

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00:11:01,850 --> 00:11:04,380
have been tampered
with and the colors are

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00:11:04,380 --> 00:11:06,520
distorted or overexposed.

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00:11:06,520 --> 00:11:10,020
I urge you to go to
mapaplanet.com and click

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00:11:10,020 --> 00:11:12,170
on the natural color
link of the moon.

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00:11:12,170 --> 00:11:15,550
Start exploring it in
full color for yourself.

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00:11:15,550 --> 00:11:18,180
There is more to our
moon than meets the eye.

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00:11:18,180 --> 00:11:20,680
In full color, you
have depth of field

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00:11:20,680 --> 00:11:25,290
and can see the anomalies
right before your very eyes.

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00:11:25,290 --> 00:11:27,290
I used to have to explain
why the moon appears

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00:11:27,290 --> 00:11:30,210
gray from Earth
many, many times.

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00:11:30,210 --> 00:11:33,640
Luckily, an amateur astronomer
from Richmond, Texas

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00:11:33,640 --> 00:11:35,570
decided to take the
initiative and find out

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00:11:35,570 --> 00:11:38,470
if, in fact, the moon
is full of color.

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00:11:38,470 --> 00:11:41,490
I got real interested
in color whenever

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00:11:41,490 --> 00:11:46,270
I saw Jose's film
called "Moon Rising."

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00:11:46,270 --> 00:11:48,940
I mean, that
inspired me big time.

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00:11:48,940 --> 00:11:52,210
After Bill Bryson viewed
my film "Moon Rising,"

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00:11:52,210 --> 00:11:54,760
he was determined to
find out whether or not

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00:11:54,760 --> 00:11:57,780
there was something to what I
had presented in that movie.

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00:11:57,780 --> 00:11:59,400
His results have
become what will

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00:11:59,400 --> 00:12:01,570
be the future of astronomy.

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00:12:01,570 --> 00:12:03,640
No longer will amateur
and, in some cases,

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00:12:03,640 --> 00:12:05,400
professional astronomers
have to become

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00:12:05,400 --> 00:12:09,820
part of the perpetual myth
about the moon's true essence.

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00:12:09,820 --> 00:12:11,590
Even in these early
photographs taken

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00:12:11,590 --> 00:12:13,820
during the Russian
ZOND missions--

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00:12:13,820 --> 00:12:16,270
before the Apollo
missions took place--

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00:12:16,270 --> 00:12:19,020
they reveal that the moon is
a full-color celestial body.

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00:12:52,910 --> 00:12:55,410
While going through hundreds
of photographs of the moon that

216
00:12:55,410 --> 00:12:58,010
have anomalies in them,
this one particular photo

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00:12:58,010 --> 00:12:59,720
really stood out.

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00:12:59,720 --> 00:13:07,290
This is AS17-150-23085--
a high-resolution color

219
00:13:07,290 --> 00:13:12,130
photograph taken by the Apollo
17 Hasselblad cameras in 1972.

220
00:13:12,130 --> 00:13:14,980
Looking at this photo, at first
glance, doesn't reveal much.

221
00:13:14,980 --> 00:13:17,061
This is because it was
published upside down

222
00:13:17,061 --> 00:13:19,060
and the exposure has been
tampered with in order

223
00:13:19,060 --> 00:13:21,200
to make details hard to see.

224
00:13:21,200 --> 00:13:22,690
By turning the
photo right side up,

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00:13:22,690 --> 00:13:24,790
we can now start working on it.

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00:13:24,790 --> 00:13:27,720
First of all, we reset the
contrast levels in order

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00:13:27,720 --> 00:13:29,930
to get rid of that brightness.

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00:13:29,930 --> 00:13:31,860
It was taken in
color, so we make

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00:13:31,860 --> 00:13:33,870
adjustments to bring back
most of the color that

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00:13:33,870 --> 00:13:35,990
had been washed out.

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00:13:35,990 --> 00:13:38,010
Zooming into the
landscape, we see

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00:13:38,010 --> 00:13:40,710
what appears to be a giant
structure, or a machine,

233
00:13:40,710 --> 00:13:43,130
leaning against the
rim of the crater.

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00:13:43,130 --> 00:13:46,960
There is a tentacle-like tubing,
or wiring, connected to it.

235
00:13:46,960 --> 00:13:50,400
And there is also an opening
where part of it is cut away.

236
00:13:50,400 --> 00:13:52,190
Surveying the crater
along the edge,

237
00:13:52,190 --> 00:13:55,470
there is another object that is
round and appears to also have

238
00:13:55,470 --> 00:13:58,590
tubing connected to it.

239
00:13:58,590 --> 00:14:01,110
Further inside the crater,
toward the bottom area,

240
00:14:01,110 --> 00:14:04,580
there appears to be a large,
self-illuminating glow.

241
00:14:04,580 --> 00:14:06,440
After researching
this particular photo,

242
00:14:06,440 --> 00:14:08,690
I needed to find its location.

243
00:14:08,690 --> 00:14:13,020
I downloaded the Apollo Mission
17 Lunar Photography Index Map,

244
00:14:13,020 --> 00:14:15,940
and by overlaying a section of
the full-color Clementine moon

245
00:14:15,940 --> 00:14:18,940
map, and stretching it
to match the index map,

246
00:14:18,940 --> 00:14:22,309
I was able to pinpoint the
exact position of the crater.

247
00:14:22,309 --> 00:14:23,725
I found out the
name of the crater

248
00:14:23,725 --> 00:14:27,730
is Lobachevsky, named
after Nikolai Lobachevsky,

249
00:14:27,730 --> 00:14:29,880
a Russian mathematician
who was known

250
00:14:29,880 --> 00:14:32,700
as the Copernicus of geometry.

251
00:14:32,700 --> 00:14:34,480
So I then went back
to Map-a-Planet

252
00:14:34,480 --> 00:14:36,820
and zoomed in on this area
and downloaded the crater,

253
00:14:36,820 --> 00:14:38,580
where this object is resting.

254
00:14:38,580 --> 00:14:40,590
Sure enough, there it is.

255
00:14:40,590 --> 00:14:42,090
Looking at it from
this aerial view,

256
00:14:42,090 --> 00:14:44,840
we have a different
perspective of the structure.

257
00:14:44,840 --> 00:14:47,760
The Lobachevsky crater is
84 kilometers in diameter,

258
00:14:47,760 --> 00:14:49,339
or 52 miles.

259
00:14:49,339 --> 00:14:51,630
This makes the size of this
structure at least 10 miles

260
00:14:51,630 --> 00:14:54,350
wide and about six miles
high from the bottom floor

261
00:14:54,350 --> 00:14:55,280
of the crater.

262
00:14:55,280 --> 00:14:57,100
We can see the bright
glow that we detected

263
00:14:57,100 --> 00:15:00,020
towards the bottom of the crater
is still burning, or glowing,

264
00:15:00,020 --> 00:15:04,000
even after 22 years since the
Apollo 17 photo was taken,

265
00:15:04,000 --> 00:15:06,230
in December 1972.

266
00:15:06,230 --> 00:15:08,990
From this vantage point, we
can see another bright glow

267
00:15:08,990 --> 00:15:11,790
with what appears to be a
bluish-white smoke coming out

268
00:15:11,790 --> 00:15:13,890
of the top of the fire.

269
00:15:13,890 --> 00:15:16,280
We can also see that the
round object seen here

270
00:15:16,280 --> 00:15:18,360
at the 9 o'clock
position of the crater

271
00:15:18,360 --> 00:15:21,340
still appears to be a round
structure of some kind leaning

272
00:15:21,340 --> 00:15:23,402
on the ridge of the crater.

273
00:15:23,402 --> 00:15:25,610
The reason I feel that glow
to the left of the object

274
00:15:25,610 --> 00:15:27,502
might be cutting away
the rim of the crater

275
00:15:27,502 --> 00:15:29,210
is because to the
right of the structure,

276
00:15:29,210 --> 00:15:32,000
there's a perfectly
cut section that

277
00:15:32,000 --> 00:15:36,340
was not evident in the Apollo
17 photo 22 years earlier.

278
00:15:36,340 --> 00:15:38,080
I found another
version of Lobachevsky

279
00:15:38,080 --> 00:15:41,770
photographed by Apollo
16 in April 1972.

280
00:15:41,770 --> 00:15:48,100
This photo is AS16-121-19407.

281
00:15:48,100 --> 00:15:50,525
And this is what we found
out, which is interesting.

282
00:15:50,525 --> 00:15:51,900
This section,
where the object is

283
00:15:51,900 --> 00:15:55,750
resting on the Apollo 17 photo,
looks like it's been excavated.

284
00:15:55,750 --> 00:15:57,850
You can even see a
tower, or a column,

285
00:15:57,850 --> 00:16:00,050
shaped like a cross
at the top, right

286
00:16:00,050 --> 00:16:02,080
in the center of the excavation.

287
00:16:02,080 --> 00:16:04,150
There is also a tunnel
opening-- what appears

288
00:16:04,150 --> 00:16:06,817
to be a gray or metallic mound.

289
00:16:06,817 --> 00:16:09,150
A close-up of the crater taken
by the Clementine mission

290
00:16:09,150 --> 00:16:13,090
in 1994 appears like
it has been expanded.

291
00:16:13,090 --> 00:16:15,630
You can still see the tower,
or column, in the entryway

292
00:16:15,630 --> 00:16:17,520
of whatever this structure is.

293
00:16:17,520 --> 00:16:19,320
If you look closely
at it, you can

294
00:16:19,320 --> 00:16:21,450
see more tentacle-like
tubing, or wiring,

295
00:16:21,450 --> 00:16:23,270
on the outside of the crater.

296
00:16:23,270 --> 00:16:25,250
This is an amazing aerial
view of the structure

297
00:16:25,250 --> 00:16:27,270
that is still there.

298
00:16:27,270 --> 00:16:29,740
At least we know someone
started excavating

299
00:16:29,740 --> 00:16:33,190
for the building of this
structure in April of 1972.

300
00:16:33,190 --> 00:16:36,210
And we saw more of the strange
object in its building stages

301
00:16:36,210 --> 00:16:38,540
within eight months
of the excavation.

302
00:16:38,540 --> 00:16:40,470
Here it is in 1994.

303
00:16:40,470 --> 00:16:42,790
And the object is still
there serving some purpose

304
00:16:42,790 --> 00:16:44,870
for someone in this crater.

305
00:16:44,870 --> 00:16:47,690
We are fortunate to have this
proof that there is something

306
00:16:47,690 --> 00:16:48,530
there.

307
00:16:48,530 --> 00:16:50,520
And we are witness
to something that

308
00:16:50,520 --> 00:16:52,450
has been constructed
on the lunar surface

309
00:16:52,450 --> 00:16:54,180
at the edge of this crater.

310
00:16:54,180 --> 00:16:58,050
We know that someone, or should
I say something, built this.

311
00:17:01,520 --> 00:17:03,190
I got started
in this, probably,

312
00:17:03,190 --> 00:17:05,630
in the mid-1990s
listening to Hoagland

313
00:17:05,630 --> 00:17:09,280
on the old coast-to-coast AM
radio program with Art Bell.

314
00:17:09,280 --> 00:17:11,290
And he was talking
about the stuff

315
00:17:11,290 --> 00:17:13,140
that he'd found on the moon.

316
00:17:13,140 --> 00:17:15,097
Some images and some
things that clearly

317
00:17:15,097 --> 00:17:16,180
appeared to be structures.

318
00:17:16,180 --> 00:17:17,819
They were very anomalous.

319
00:17:17,819 --> 00:17:21,474
And he was noting that there
were thousands upon thousands

320
00:17:21,474 --> 00:17:23,390
of photographs that had
been taken of the moon

321
00:17:23,390 --> 00:17:24,920
by the various unmanned probes.

322
00:17:24,920 --> 00:17:27,810
And then the astronauts
that had orbited the moon.

323
00:17:27,810 --> 00:17:31,080
And he said, you know,
Art, anybody can do this.

324
00:17:31,080 --> 00:17:33,620
And what I realized
is A, I'm anybody.

325
00:17:33,620 --> 00:17:36,830
B, I think I understand
the arguments.

326
00:17:36,830 --> 00:17:40,620
I'm an engineer by trade--
aerospace engineer.

327
00:17:40,620 --> 00:17:42,510
I may not be an
architect, but I certainly

328
00:17:42,510 --> 00:17:44,570
know structure when I see it.

329
00:17:44,570 --> 00:17:47,030
And I started looking at the
evidence that he presented.

330
00:17:47,030 --> 00:17:48,730
And I just got fascinated by it.

331
00:17:48,730 --> 00:17:51,660
I created a web page called
the Lunar Anomalies Home

332
00:17:51,660 --> 00:17:53,500
Page, which still exists.

333
00:17:53,500 --> 00:17:56,276
And it was all dedicated
to stuff on the moon.

334
00:17:56,276 --> 00:17:59,420
The Hubble telescope has taken
the most incredible photography

335
00:17:59,420 --> 00:18:02,880
of deep space and far
off in the vast universe.

336
00:18:02,880 --> 00:18:05,070
When you see these
spectacular scenes,

337
00:18:05,070 --> 00:18:09,600
you can't help but wonder how
many others live out there.

338
00:18:09,600 --> 00:18:12,120
So when NASA was asked by
scientists and astronomers

339
00:18:12,120 --> 00:18:15,030
when the Hubble telescope
would be used in photographing

340
00:18:15,030 --> 00:18:17,920
the moon, NASA's reply was
that because the moon was

341
00:18:17,920 --> 00:18:20,750
too bright, it would be
impossible to get accurate

342
00:18:20,750 --> 00:18:22,970
photography of the moon.

343
00:18:22,970 --> 00:18:25,190
The first photo was released
from the Hubble Space

344
00:18:25,190 --> 00:18:28,200
Telescope in 1999.

345
00:18:28,200 --> 00:18:30,680
Needless to say, the
scientists and astronomers

346
00:18:30,680 --> 00:18:34,632
were not too pleased at how NASA
had deliberately lied to them.

347
00:18:34,632 --> 00:18:36,090
When I heard about
this photograph,

348
00:18:36,090 --> 00:18:39,332
I thought for sure we would
see the moon in full color.

349
00:18:39,332 --> 00:18:41,040
But of all the photos
taken by the Hubble

350
00:18:41,040 --> 00:18:43,912
telescope of the moon, they
are in black and white.

351
00:18:47,470 --> 00:18:50,790
Prepare yourself for
an incredible expedition

352
00:18:50,790 --> 00:18:54,520
as we now take you back to
the moon on a voyage filled

353
00:18:54,520 --> 00:18:56,335
with mystery and secrecy.

354
00:19:18,110 --> 00:19:22,110
I'm not sure why NASA has
not told us what's on the moon.

355
00:19:22,110 --> 00:19:25,770
In a way, they have told us
because the pictures are there.

356
00:19:25,770 --> 00:19:27,840
And there's hundreds of them.

357
00:19:27,840 --> 00:19:32,250
So anybody can do what I did
and go and look at the pictures

358
00:19:32,250 --> 00:19:34,530
and enlarge them and
see what there is.

359
00:19:34,530 --> 00:19:37,140
NASA has been there.

360
00:19:37,140 --> 00:19:40,220
But we haven't been
back since 1972.

361
00:19:40,220 --> 00:19:44,960
And you sit there and
wonder why that is.

362
00:19:44,960 --> 00:19:47,830
It's our closest celestial
neighbor in the heavens.

363
00:19:47,830 --> 00:19:49,900
You can see it every night
when you walk outside.

364
00:19:49,900 --> 00:19:53,260
And really, there's so
much mystery about it

365
00:19:53,260 --> 00:19:54,530
still to this day.

366
00:19:54,530 --> 00:19:57,040
Many people seem to think that
the Apollo program answered

367
00:19:57,040 --> 00:19:58,290
a lot of these questions.

368
00:19:58,290 --> 00:19:59,657
And in many ways, it did.

369
00:19:59,657 --> 00:20:01,240
But we, the general
public, have never

370
00:20:01,240 --> 00:20:02,698
been privy to any
of those answers.

371
00:20:19,457 --> 00:20:21,040
Is there are already
somebody there?

372
00:20:21,040 --> 00:20:23,240
And is there even a
secret space program

373
00:20:23,240 --> 00:20:24,490
that we don't know about that?

374
00:20:24,490 --> 00:20:26,700
Maybe even NASA's
doesn't know about,

375
00:20:26,700 --> 00:20:28,930
that's been to the
moon and back and using

376
00:20:28,930 --> 00:20:30,030
very advanced technology?

377
00:20:30,030 --> 00:20:33,730
A cover story that's based
entirely upon the premise

378
00:20:33,730 --> 00:20:37,030
that there was
absolutely no life there.

379
00:20:37,030 --> 00:20:41,180
And that there is no life to
be found past, present, at all.

380
00:20:41,180 --> 00:20:42,750
And that's simply not the case.

381
00:20:42,750 --> 00:20:45,340
I certainly believe that
some of the stuff that we're

382
00:20:45,340 --> 00:20:48,825
finding on the moon may be
alien-- extraterrestrial--

383
00:20:48,825 --> 00:20:52,120
in origin, it may be
ruined, ancient, abandoned

384
00:20:52,120 --> 00:20:54,330
extraterrestrial ruins.

385
00:20:54,330 --> 00:20:56,060
Some of it may be active.

386
00:20:56,060 --> 00:21:00,156
And some of it, in fact,
may be our own stuff.

387
00:21:00,156 --> 00:21:01,780
I don't think
there's any possibility

388
00:21:01,780 --> 00:21:06,080
that NASA is not aware of the
civilizations on the moon.

389
00:21:06,080 --> 00:21:08,080
And the structures.

390
00:21:08,080 --> 00:21:11,760
They're very
obvious, easy to see.

391
00:21:11,760 --> 00:21:15,360
They are in contact with some
of these extraterrestrial life

392
00:21:15,360 --> 00:21:17,270
forms.

393
00:21:17,270 --> 00:21:19,320
And they don't want
you to know about it.

394
00:21:19,320 --> 00:21:22,500
There is the guy that
hacked into the NASA database

395
00:21:22,500 --> 00:21:26,420
and found some listings of
non-terrestrial officers.

396
00:21:26,420 --> 00:21:28,720
NASA may have made
a deal with the beings

397
00:21:28,720 --> 00:21:32,780
up there to not reveal
their civilization.

398
00:21:32,780 --> 00:21:35,910
But then again, the
pictures have the evidence.

399
00:21:35,910 --> 00:21:38,382
It's all in the pictures anyway.

400
00:21:38,382 --> 00:21:39,840
The whole purpose
to the cover up

401
00:21:39,840 --> 00:21:43,350
is to prevent we, the plebeian
masses of this planet,

402
00:21:43,350 --> 00:21:46,726
from gaining the appreciation
that there is, indeed,

403
00:21:46,726 --> 00:21:48,100
extraterrestrial
life out there--

404
00:21:48,100 --> 00:21:49,931
intelligent
extraterrestrial life.

405
00:21:49,931 --> 00:21:51,430
And this is life
that the government

406
00:21:51,430 --> 00:21:53,830
is very well aware of-- the
governments around the world.

407
00:21:53,830 --> 00:21:56,040
It's certainly not a US issue.

408
00:21:56,040 --> 00:21:57,290
They're very well aware of it.

409
00:22:02,530 --> 00:22:04,650
Because you've
been lied to, you've

410
00:22:04,650 --> 00:22:08,350
been robbed of something
that you deserve,

411
00:22:08,350 --> 00:22:11,750
which is to know what
your true history is

412
00:22:11,750 --> 00:22:15,690
and what your true
significance is in this world.

413
00:22:15,690 --> 00:22:20,260
I really don't think people
realize how deep the lie goes.

414
00:22:20,260 --> 00:22:21,770
How big it is.

415
00:22:21,770 --> 00:22:24,150
How unbelievable
the cover up is.

416
00:22:24,150 --> 00:22:26,886
This truly is the greatest
story ever denied.

417
00:22:41,450 --> 00:22:44,090
It is the most amazing
secret never told.

418
00:22:44,090 --> 00:22:47,230
It is the most monumental
cover up in human history.

419
00:22:47,230 --> 00:22:52,790
And hopefully, the public
will take a movie like this

420
00:22:52,790 --> 00:22:55,200
and will begin to open
up some doors-- begin

421
00:22:55,200 --> 00:22:57,800
to open up some
windows-- to the truth.

422
00:22:57,800 --> 00:22:59,410
Whether it's from
the government,

423
00:22:59,410 --> 00:23:01,250
whether it's from other
insiders who can now

424
00:23:01,250 --> 00:23:05,580
come forward and begin to tell
their stories of what they did

425
00:23:05,580 --> 00:23:08,160
and their involvement
in this cover up

426
00:23:08,160 --> 00:23:09,460
to get the truth out there.

427
00:23:09,460 --> 00:23:12,380
I think the world's
ready for it.

428
00:23:12,380 --> 00:23:15,360
And hopefully, a
movie like this will

429
00:23:15,360 --> 00:23:18,810
push that forward a little
bit and speed the process up.

430
00:23:18,810 --> 00:23:22,540
The very word secrecy is
repugnant in a free and open

431
00:23:22,540 --> 00:23:24,050
society.

432
00:23:24,050 --> 00:23:26,750
And we are, as a
people, inherently

433
00:23:26,750 --> 00:23:30,150
and historically, opposed
to secret societies,

434
00:23:30,150 --> 00:23:34,420
to secret oaths, and
to secret proceedings.

435
00:23:34,420 --> 00:23:37,430
We decided long ago
that the dangers

436
00:23:37,430 --> 00:23:41,860
of excessive and unwarranted
concealment of pertinent facts

437
00:23:41,860 --> 00:23:46,990
far outweighed the dangers
which are cited to justify it.

438
00:23:46,990 --> 00:23:50,770
And there is very grave
danger that an announced need

439
00:23:50,770 --> 00:23:55,200
for increased security will
be seized upon by those

440
00:23:55,200 --> 00:23:58,630
anxious to expand its
meaning to the very limits

441
00:23:58,630 --> 00:24:01,846
of official censorship
and concealment.

442
00:24:01,846 --> 00:24:04,590
That I do not intend
to permit to the extent

443
00:24:04,590 --> 00:24:06,770
that it's in my control.

444
00:24:06,770 --> 00:24:08,900
And no official of
my administration,

445
00:24:08,900 --> 00:24:13,230
whether his rank is high or
low, civilian or military,

446
00:24:13,230 --> 00:24:15,920
should interpret my
words here tonight

447
00:24:15,920 --> 00:24:20,200
as an excuse to censor the
news, to stifle dissent,

448
00:24:20,200 --> 00:24:23,430
to cover up our
mistakes, or to withhold

449
00:24:23,430 --> 00:24:26,840
from the press and the public
the facts they deserve to know.

450
00:24:29,774 --> 00:24:34,660
By playing around with these
images using moder software

451
00:24:34,660 --> 00:24:40,200
techniques, some of the
results really are eye-opening.

452
00:24:40,200 --> 00:24:42,390
And again, it really
comes back to you've

453
00:24:42,390 --> 00:24:44,890
got to ask yourself
the question, why

454
00:24:44,890 --> 00:24:47,920
do NASA-- or any of the
other space agencies,

455
00:24:47,920 --> 00:24:49,950
or any of the major
observatories--

456
00:24:49,950 --> 00:24:52,400
why will they not show you
any of the new adaptive optics

457
00:24:52,400 --> 00:24:53,395
imagery of the moon?

458
00:24:53,395 --> 00:24:54,770
They simply won't
show it to you.

459
00:24:54,770 --> 00:24:57,920
They don't have any, they claim.

460
00:24:57,920 --> 00:25:01,135
A report was prepared
under contract to NASA

461
00:25:01,135 --> 00:25:04,620
by the Brookings
Institute, Washington DC.

462
00:25:04,620 --> 00:25:07,530
The report outlines
the need to investigate

463
00:25:07,530 --> 00:25:10,980
the possible social consequences
of an extraterrestrial

464
00:25:10,980 --> 00:25:14,600
discovery and to consider
whether such a discovery should

465
00:25:14,600 --> 00:25:18,550
be kept from the public, in
order to avoid political change

466
00:25:18,550 --> 00:25:21,928
and a possible devastating
effect on scientists themselves

467
00:25:21,928 --> 00:25:25,270
due to the discovery that many
of their own most cherished

468
00:25:25,270 --> 00:25:26,690
theories could be at risk.

469
00:25:29,780 --> 00:25:34,030
And it says in there that
you should seriously consider

470
00:25:34,030 --> 00:25:37,990
covering that information up
because it may, in fact, lead

471
00:25:37,990 --> 00:25:41,460
to what it calls the
disintegration of our culture.

472
00:25:41,460 --> 00:25:44,130
Because of the tremendous
cultural impact--

473
00:25:44,130 --> 00:25:46,090
the shock-- that it
would have, especially

474
00:25:46,090 --> 00:25:49,030
to scientists and engineers who
think-- who've come to believe,

475
00:25:49,030 --> 00:25:52,440
arrogantly, I think-- that
we are the top of the heap.

476
00:25:52,440 --> 00:25:55,450
That we are part of
some natural process

477
00:25:55,450 --> 00:25:57,200
and we are the dominant species.

478
00:25:57,200 --> 00:26:00,700
I don't think that
that argument flies.

479
00:26:00,700 --> 00:26:02,740
I think that document
is nothing more

480
00:26:02,740 --> 00:26:05,790
than their political
and legal cover for what

481
00:26:05,790 --> 00:26:07,060
they've been doing.

482
00:26:07,060 --> 00:26:11,440
Because there is a much bigger
issue that comes out here.

483
00:26:11,440 --> 00:26:15,500
What most people don't is that
NASA is not a civilian science

484
00:26:15,500 --> 00:26:16,300
agency.

485
00:26:16,300 --> 00:26:19,010
If you look at the actual
charter under which NASA

486
00:26:19,010 --> 00:26:22,230
was originally put
into existence,

487
00:26:22,230 --> 00:26:24,360
it states clearly
there that NASA

488
00:26:24,360 --> 00:26:27,550
is an adjunct-- a division
of the Department of Defense.

489
00:26:27,550 --> 00:26:30,412
And it is beholden to the
Department of Defense.

490
00:26:30,412 --> 00:26:32,120
When you couple the
Brookings Institute

491
00:26:32,120 --> 00:26:39,230
report with a document called
Executive Order 10501, 10501

492
00:26:39,230 --> 00:26:41,220
was a document that
was specifically

493
00:26:41,220 --> 00:26:43,930
related to safeguarding official
information in the interest

494
00:26:43,930 --> 00:26:44,915
of national defense.

495
00:26:44,915 --> 00:26:47,290
And it's important to note
that the term national defense

496
00:26:47,290 --> 00:26:49,670
actually includes not
only considerations

497
00:26:49,670 --> 00:26:52,280
of a military perspective,
but also geoeconomic

498
00:26:52,280 --> 00:26:53,440
and geopolitical, as well.

499
00:26:56,300 --> 00:26:58,890
When you compare, or take
those two documents-- when

500
00:26:58,890 --> 00:27:02,762
you take 10501 and the
Brookings Institute report,

501
00:27:02,762 --> 00:27:04,970
right there, that lays the
framework for the greatest

502
00:27:04,970 --> 00:27:05,940
story ever denied.

503
00:27:05,940 --> 00:27:09,130
That gives them legal
justification to cover this up.

504
00:28:06,185 --> 00:28:07,670
Final control, Houston.

505
00:28:07,670 --> 00:28:10,448
Switching now to the
voice of Jim Lovell.

506
00:28:10,448 --> 00:28:11,915
By 60.5.

507
00:28:11,915 --> 00:28:14,049
Good to hear your voice.

508
00:28:14,049 --> 00:28:14,849
Apollo 8.

509
00:28:14,849 --> 00:28:18,272
Houston, what does the old
moon look like from 60 miles?

510
00:28:18,272 --> 00:28:19,250
Over.

511
00:28:19,250 --> 00:28:21,695
OK, Houston.

512
00:28:21,695 --> 00:28:24,140
The moon is, essentially, gray.

513
00:28:24,140 --> 00:28:25,607
No color.

514
00:28:25,607 --> 00:28:27,563
Looks like plaster of Paris.

515
00:28:31,980 --> 00:28:34,820
It has been speculated the
moon missions were hoaxed.

516
00:28:34,820 --> 00:28:36,400
Perhaps some of
the Apollo missions

517
00:28:36,400 --> 00:28:38,460
were filmed in
different locations

518
00:28:38,460 --> 00:28:40,720
and in studios in
order to conceal

519
00:28:40,720 --> 00:28:43,276
the incredible discoveries
found on the moon.

520
00:28:50,110 --> 00:28:53,810
In 1979, Maurice
Chatelain, former chief

521
00:28:53,810 --> 00:28:56,550
of NASA Communications
Systems, confirmed

522
00:28:56,550 --> 00:28:59,630
Neil Armstrong had indeed
reported seeing two

523
00:28:59,630 --> 00:29:02,240
UFOs on the rim of a crater.

524
00:29:02,240 --> 00:29:05,330
The encounter was common
knowledge at NASA, he revealed,

525
00:29:05,330 --> 00:29:07,770
but nobody has talked
about it until now.

526
00:29:21,415 --> 00:29:23,340
Even if you don't
care what's up there,

527
00:29:23,340 --> 00:29:25,420
you damn sure care
about the lies

528
00:29:25,420 --> 00:29:29,017
that are being put in place
to hide what's up there.

529
00:29:29,017 --> 00:29:31,100
Whether you have the
interest in the space program

530
00:29:31,100 --> 00:29:35,160
or the interest in what's going
on over our planet's atmosphere

531
00:29:35,160 --> 00:29:38,550
or not, you are
affected by the lies

532
00:29:38,550 --> 00:29:44,260
that are in place to maintain
this greatest of all cover ups.

533
00:29:44,260 --> 00:29:48,407
And we're talking
about a massive effort

534
00:29:48,407 --> 00:29:49,865
by the military
industrial complex.

535
00:29:55,070 --> 00:29:57,830
Couple of nuclear
weapons sent into space

536
00:29:57,830 --> 00:30:00,470
were destroyed by the
extraterrestrials.

537
00:30:00,470 --> 00:30:04,770
Our government sent a
nuclear weapon for explosion

538
00:30:04,770 --> 00:30:06,750
on the moon's surface.

539
00:30:06,750 --> 00:30:09,760
It was intended to,
as I understand it,

540
00:30:09,760 --> 00:30:13,040
to assess some scientific data
and reaction and so forth.

541
00:30:13,040 --> 00:30:17,210
When I was a corporate manager
of Fairchild Industries in 1974

542
00:30:17,210 --> 00:30:23,940
through '77, I met the late Dr.
Werner Von Braun and early '74.

543
00:30:23,940 --> 00:30:28,670
At that time, Von Braun
was dying of cancer,

544
00:30:28,670 --> 00:30:31,690
but he assured me that he would
live a few more years in order

545
00:30:31,690 --> 00:30:34,540
to tell me about the game
that was being played.

546
00:30:34,540 --> 00:30:37,950
That game being the
effort to weaponize space.

547
00:30:37,950 --> 00:30:43,880
The idea of any explosion in
space by any earth government

548
00:30:43,880 --> 00:30:46,910
was not acceptable to
the extraterrestrials.

549
00:30:46,910 --> 00:30:50,140
And that has been
demonstrated over and over.

550
00:30:50,140 --> 00:30:52,740
The strategy that Werner
Von Braun taught me was that,

551
00:30:52,740 --> 00:30:55,750
first, the Russians are going to
be considered to be the enemy.

552
00:30:55,750 --> 00:30:58,292
In fact, when I met him in
'74, they were the enemy.

553
00:30:58,292 --> 00:30:59,750
They wanted a
weapons system they

554
00:30:59,750 --> 00:31:04,300
could put in space that would
stop a ballistic missile.

555
00:31:04,300 --> 00:31:05,520
That was the concept.

556
00:31:05,520 --> 00:31:07,440
Then terrorists
would be identified.

557
00:31:07,440 --> 00:31:09,200
And that was soon to follow.

558
00:31:09,200 --> 00:31:10,868
We heard a lot about terrorism.

559
00:31:10,868 --> 00:31:12,576
Now, if that ballistic
missile happened

560
00:31:12,576 --> 00:31:14,700
to be coming from
another direction other

561
00:31:14,700 --> 00:31:19,700
than Earth-bound, could
it do the same thing?

562
00:31:19,700 --> 00:31:22,300
Then, we were going to
identify third-world country

563
00:31:22,300 --> 00:31:23,260
crazies.

564
00:31:23,260 --> 00:31:25,120
We now call them
nations of concern.

565
00:31:25,120 --> 00:31:28,450
I have but a short time
to try to convince people

566
00:31:28,450 --> 00:31:30,190
that we are moving
in an avenue where we

567
00:31:30,190 --> 00:31:31,990
are going to militarize space.

568
00:31:31,990 --> 00:31:35,250
The next enemy was asteroids.

569
00:31:35,250 --> 00:31:38,160
And the funniest one of all
was against what he called

570
00:31:38,160 --> 00:31:39,960
aliens-- extraterrestrials.

571
00:31:39,960 --> 00:31:42,390
That would be the final card.

572
00:31:42,390 --> 00:31:46,420
As a direct result, we
will become a threat to them

573
00:31:46,420 --> 00:31:49,026
unless we,
spiritually, grow also.

574
00:31:49,026 --> 00:31:53,380
And over and over and
over, during the four years

575
00:31:53,380 --> 00:31:56,570
that I knew him, he would
bring up that last card.

576
00:31:56,570 --> 00:32:00,810
And remember, Carol, the
last card is the alien card.

577
00:32:00,810 --> 00:32:02,810
We're going to have to
build space-based weapons

578
00:32:02,810 --> 00:32:03,800
against aliens.

579
00:32:03,800 --> 00:32:07,150
And all of it, he
said, is a lie.

580
00:32:07,150 --> 00:32:13,110
We put nuclear weapons out
in space as a line of defense.

581
00:32:13,110 --> 00:32:16,820
And we was ready to blow
them up if they started in.

582
00:32:16,820 --> 00:32:20,070
Today, most people have come
to the very clear realization,

583
00:32:20,070 --> 00:32:23,630
I think, that things aren't
quite as you've been told.

584
00:32:23,630 --> 00:32:27,700
And the question then, just
becomes, how big is the lie?

585
00:32:27,700 --> 00:32:32,210
And the truth is it's bigger
than most people can imagine.

586
00:32:32,210 --> 00:32:34,830
One of the great things
about the NASA archive system

587
00:32:34,830 --> 00:32:37,350
is that, at the back of
many of their documents,

588
00:32:37,350 --> 00:32:39,894
they have both distribution
and reference lists.

589
00:32:39,894 --> 00:32:41,810
And the distribution
lists are very important.

590
00:32:41,810 --> 00:32:45,140
They say who that document
is being forwarded to,

591
00:32:45,140 --> 00:32:47,530
and which department
and from what company.

592
00:32:47,530 --> 00:32:49,970
And when you begin to cull
through these documents--

593
00:32:49,970 --> 00:32:52,230
certainly ones that deal
with specific subject matter,

594
00:32:52,230 --> 00:32:54,070
like image enhancement,
for example--

595
00:32:54,070 --> 00:32:55,970
you begin to see a
lot of names that,

596
00:32:55,970 --> 00:32:58,100
obviously begin to repeat.

597
00:32:58,100 --> 00:33:00,050
And you can very
quickly determine

598
00:33:00,050 --> 00:33:01,780
what individuals
knew what and had

599
00:33:01,780 --> 00:33:04,480
to have been privy to
certain information,

600
00:33:04,480 --> 00:33:07,350
just by the very
nature of their job.

601
00:33:07,350 --> 00:33:10,059
The individual that
I managed to identify

602
00:33:10,059 --> 00:33:12,600
and who agreed to meet with me
and talk with me was a man who

603
00:33:12,600 --> 00:33:15,470
worked for a company called
BellComm during the 1960s

604
00:33:15,470 --> 00:33:17,774
and into the early 1970s.

605
00:33:17,774 --> 00:33:20,400
BellComm, although many
people haven't heard of it,

606
00:33:20,400 --> 00:33:22,410
is in many ways,
a company that is

607
00:33:22,410 --> 00:33:24,930
more responsible for
landing man on the moon

608
00:33:24,930 --> 00:33:26,910
than NASA really was.

609
00:33:26,910 --> 00:33:30,390
BellComm's a division of
ATandT and Western Electric.

610
00:33:30,390 --> 00:33:32,980
BellComm was around
for only a decade.

611
00:33:32,980 --> 00:33:35,620
They were there for
the specific purpose

612
00:33:35,620 --> 00:33:37,640
of landing man on
the moon and ensuring

613
00:33:37,640 --> 00:33:39,120
that NASA got the job done.

614
00:33:39,120 --> 00:33:41,490
Meeting him was actually
the most incredible

615
00:33:41,490 --> 00:33:44,930
three hours of my life,
the interview that we had.

616
00:33:44,930 --> 00:33:48,410
A man who I knew
was in the know,

617
00:33:48,410 --> 00:33:49,550
a man who I'd tracked down.

618
00:33:49,550 --> 00:33:53,680
He wasn't, in any way, looking
to throw this stuff out

619
00:33:53,680 --> 00:33:55,550
in the public eye.

620
00:33:55,550 --> 00:33:58,220
It was just, really,
a matter of him

621
00:33:58,220 --> 00:34:02,850
recognizing that I wasn't on a
total blind fishing expedition.

622
00:34:02,850 --> 00:34:05,070
And I'd actually
figured some things out.

623
00:34:05,070 --> 00:34:06,404
That opened him up in a big way.

624
00:34:06,404 --> 00:34:08,653
He made the comment several
times during the interview

625
00:34:08,653 --> 00:34:10,919
that he'd never talked about
this with anyone before.

626
00:34:10,919 --> 00:34:12,460
It was not the kind
of subject matter

627
00:34:12,460 --> 00:34:15,659
that you talk with anyone about.

628
00:34:15,659 --> 00:34:18,719
The people that
were in a position

629
00:34:18,719 --> 00:34:21,670
to be in the know--
to have, at least,

630
00:34:21,670 --> 00:34:24,030
some high level of
understanding of what was really

631
00:34:24,030 --> 00:34:26,993
going on-- these
individuals were also

632
00:34:26,993 --> 00:34:29,159
very well aware of what
their government is actually

633
00:34:29,159 --> 00:34:30,270
capable of.

634
00:34:30,270 --> 00:34:34,510
A guard told me that he was
asked to burn some photographs

635
00:34:34,510 --> 00:34:36,254
and not to look at them.

636
00:34:36,254 --> 00:34:38,170
And there was a guard--
another guard guarding

637
00:34:38,170 --> 00:34:42,340
him-- who was in green
fatigues, watching him

638
00:34:42,340 --> 00:34:43,300
burn the photographs.

639
00:34:43,300 --> 00:34:44,659
And he said he was too tempted.

640
00:34:44,659 --> 00:34:48,610
He looked at one and it
was a picture of a UFO

641
00:34:48,610 --> 00:34:50,170
and he was very descriptive.

642
00:34:50,170 --> 00:34:52,889
I can go into that
later with anyone.

643
00:34:52,889 --> 00:34:54,739
He immediately was
hit in the head,

644
00:34:54,739 --> 00:34:56,350
and he had a big
gash in his forehead.

645
00:34:56,350 --> 00:34:57,690
He was knocked out.

646
00:34:57,690 --> 00:34:58,780
And he's terrified.

647
00:34:58,780 --> 00:35:01,830
So he would have
to be protected.

648
00:35:01,830 --> 00:35:04,250
Another incident-- I knew
someone in quarantine

649
00:35:04,250 --> 00:35:06,120
with the Apollo astronauts.

650
00:35:06,120 --> 00:35:10,414
He told me that the Apollo
astronauts saw craft

651
00:35:10,414 --> 00:35:12,820
on the moon when we landed.

652
00:35:12,820 --> 00:35:14,630
And that is what he told me.

653
00:35:14,630 --> 00:35:17,550
And he also was afraid-- he
said that the astronauts are

654
00:35:17,550 --> 00:35:19,080
told to keep this quiet.

655
00:35:19,080 --> 00:35:21,160
They're not allowed
to talk about it.

656
00:35:21,160 --> 00:35:23,660
So I do want to let you
know that I worked out there

657
00:35:23,660 --> 00:35:26,790
for a number of years,
and I ran into this.

658
00:35:26,790 --> 00:35:29,360
So it's not something everyone
knows that works out there

659
00:35:29,360 --> 00:35:30,180
for a long time.

660
00:35:30,180 --> 00:35:33,720
My boss didn't know
about it, some people

661
00:35:33,720 --> 00:35:36,310
that sat right next to
me didn't know about it.

662
00:35:36,310 --> 00:35:39,689
It's very strange because I
don't know how they can do it,

663
00:35:39,689 --> 00:35:41,480
but they can let some
people know about it,

664
00:35:41,480 --> 00:35:42,980
and then others not.

665
00:35:42,980 --> 00:35:46,710
I'm willing to testify before
Congress that what I'm saying

666
00:35:46,710 --> 00:35:47,730
is true.

667
00:35:47,730 --> 00:35:50,020
And thank you very much.

668
00:35:50,020 --> 00:35:52,192
They know the power
of these people.

669
00:35:52,192 --> 00:35:53,900
A lot of people ask
questions like, well,

670
00:35:53,900 --> 00:35:56,275
how come none of these people
who knew about it have ever

671
00:35:56,275 --> 00:35:57,380
come forward?

672
00:35:57,380 --> 00:35:59,720
These individuals have
signed their lives away

673
00:35:59,720 --> 00:36:02,790
in security
classification documents.

674
00:36:02,790 --> 00:36:04,424
And when I say sign
their lives away,

675
00:36:04,424 --> 00:36:05,590
I mean that quite literally.

676
00:36:05,590 --> 00:36:07,631
I mean, these are things
that if they talk about,

677
00:36:07,631 --> 00:36:09,710
it's off to Guantanamo Bay.

678
00:36:09,710 --> 00:36:14,810
This is the greatest secret
in not only the United States

679
00:36:14,810 --> 00:36:16,850
military and the United
States government,

680
00:36:16,850 --> 00:36:19,537
but around the world.

681
00:36:19,537 --> 00:36:21,620
Really, for a lot of these
individuals-- and there

682
00:36:21,620 --> 00:36:23,630
are many other
investigators out there

683
00:36:23,630 --> 00:36:26,020
who will tell you this--
one of the only ways

684
00:36:26,020 --> 00:36:28,980
these individuals have
to ever put the truth out

685
00:36:28,980 --> 00:36:31,200
is to do it through a proxy.

686
00:36:31,200 --> 00:36:34,810
They find another individual or
another individual finds them.

687
00:36:34,810 --> 00:36:38,940
And they talk a little
bit about what they know.

688
00:36:38,940 --> 00:36:40,500
They're usually
very, very careful

689
00:36:40,500 --> 00:36:42,750
when they talk about it
because they don't want trails

690
00:36:42,750 --> 00:36:45,340
leading right back to them.

691
00:36:45,340 --> 00:36:49,480
With this gentleman, I think
a great deal of his openness

692
00:36:49,480 --> 00:36:53,790
had to do with the fact
that he knew he was dying.

693
00:36:53,790 --> 00:36:57,100
And he knew that
he was just fed up

694
00:36:57,100 --> 00:36:58,610
with the government's behavior.

695
00:36:58,610 --> 00:37:01,730
So he was more than
willing-- knowing

696
00:37:01,730 --> 00:37:03,870
that I had understood at
least a little bit of what

697
00:37:03,870 --> 00:37:08,360
was going on-- he was much
more willing to open up to me.

698
00:37:08,360 --> 00:37:12,960
On November 20, 1969,
the Apollo 12 astronauts

699
00:37:12,960 --> 00:37:15,780
did an experiment with
some strange results.

700
00:37:15,780 --> 00:37:18,740
They crashed the lunar
module ascent stage

701
00:37:18,740 --> 00:37:22,240
into the surface of the moon.

702
00:37:22,240 --> 00:37:24,530
Shock waves reverberated
throughout the moon

703
00:37:24,530 --> 00:37:25,880
for over an hour.

704
00:37:25,880 --> 00:37:30,240
Some have likened this
to ringing like a bell.

705
00:37:30,240 --> 00:37:33,880
These results were repeated
during the Apollo 13 mission.

706
00:37:33,880 --> 00:37:35,450
However, this time,
the shock waves

707
00:37:35,450 --> 00:37:39,270
lasted for over three hours.

708
00:37:39,270 --> 00:37:42,470
Hollow Moon researchers
say that this is proof

709
00:37:42,470 --> 00:37:45,220
that the interior of the
moon was hollowed out

710
00:37:45,220 --> 00:37:48,260
by artificial means.

711
00:37:48,260 --> 00:37:52,960
MITs Dr. Sean C. Solomon wrote,
"The Lunar Orbiter experiments

712
00:37:52,960 --> 00:37:57,300
vastly improved our knowledge of
the moon's gravitational field,

713
00:37:57,300 --> 00:37:59,480
indicating the
frightening possibility

714
00:37:59,480 --> 00:38:01,920
that the moon might be hollow."

715
00:38:01,920 --> 00:38:06,280
On March 7, 1971, instruments
placed on the moon

716
00:38:06,280 --> 00:38:08,470
by the Apollo
astronauts recorded

717
00:38:08,470 --> 00:38:11,690
a cloud of water vapor
passing over the surface.

718
00:38:11,690 --> 00:38:14,620
The event lasted
for over 14 hours

719
00:38:14,620 --> 00:38:19,160
and covered an area of at
least 100 square miles.

720
00:38:19,160 --> 00:38:23,270
The earth is thought to be
around 4.6 billion years old,

721
00:38:23,270 --> 00:38:25,680
while rocks from the
moon were found to be

722
00:38:25,680 --> 00:38:28,990
around 5.3 billion years old.

723
00:38:28,990 --> 00:38:31,060
And the dust the
rocks were found in

724
00:38:31,060 --> 00:38:34,250
is thought to be about a
billion years older than that.

725
00:38:34,250 --> 00:38:36,910
This information
conflicts with the theory

726
00:38:36,910 --> 00:38:39,760
that the moon was produced
by a collision the earth

727
00:38:39,760 --> 00:38:42,670
had with another body
earlier in its history.

728
00:38:45,709 --> 00:38:48,250
One of the things that you've
got to keep in mind, as well,

729
00:38:48,250 --> 00:38:49,750
when you're looking
at NASA imagery,

730
00:38:49,750 --> 00:38:54,910
is that although the sky may
appear black in those frames,

731
00:38:54,910 --> 00:38:57,530
in many instances, when
you enhance that image,

732
00:38:57,530 --> 00:38:59,370
you discover that
there is actually

733
00:38:59,370 --> 00:39:01,620
an incredible amount
of image detail

734
00:39:01,620 --> 00:39:04,900
that's just buried in the
darkness of that image.

735
00:39:04,900 --> 00:39:06,777
But when you amplify
that scene and you

736
00:39:06,777 --> 00:39:08,610
begin to see what's
hidden there in the sky,

737
00:39:08,610 --> 00:39:10,550
you can begin to
make out shapes.

738
00:39:10,550 --> 00:39:13,670
There's a few images
that show structuring.

739
00:39:13,670 --> 00:39:17,780
And this is all done in an
effort to both hide the truth,

740
00:39:17,780 --> 00:39:22,107
but as well, to leave a bit
of the truth there for you.

741
00:39:22,107 --> 00:39:24,690
And again, a lot of people don't
want to believe they do that.

742
00:39:24,690 --> 00:39:25,810
But they do.

743
00:39:25,810 --> 00:39:28,170
That's part of the dripping
faucet technique, where

744
00:39:28,170 --> 00:39:31,660
they give you tiny
little bits of the truth

745
00:39:31,660 --> 00:39:34,710
and you can begin to fill it
in-- fill it-- put it together

746
00:39:34,710 --> 00:39:35,510
for yourself.

747
00:39:35,510 --> 00:39:38,832
One of the frames that
really demonstrates

748
00:39:38,832 --> 00:39:40,790
the way they use this
dripping faucet technique

749
00:39:40,790 --> 00:39:44,670
is a frame known as 20680
from the Apollo 17 mission.

750
00:39:44,670 --> 00:39:47,390
For 30 years, this
frame was officially

751
00:39:47,390 --> 00:39:50,940
listed in their catalogs in the
Apollo 17 photographic index

752
00:39:50,940 --> 00:39:53,240
as being a blank-- no
image data-- frame.

753
00:39:53,240 --> 00:39:56,140
A frame that has
got nothing on it.

754
00:39:56,140 --> 00:39:57,710
While this image
is most definitely

755
00:39:57,710 --> 00:40:00,500
sunstruck and overexposed.

756
00:40:00,500 --> 00:40:02,070
Blank it most certainly is not.

757
00:40:11,860 --> 00:40:15,600
Harrison Schmidt
created some patches

758
00:40:15,600 --> 00:40:18,270
for his own mission, Apollo 17,
which is, again, the mission

759
00:40:18,270 --> 00:40:21,890
that we take these images
from and that we've seen

760
00:40:21,890 --> 00:40:23,920
a lot of this color effect.

761
00:40:23,920 --> 00:40:28,380
And what he put on it was
Stonehenge and the sun.

762
00:40:28,380 --> 00:40:32,400
And the sun is a symbol of
ancient Egyptian god Horus.

763
00:40:32,400 --> 00:40:34,030
There's all sorts of
Egyptian mythology

764
00:40:34,030 --> 00:40:35,988
that runs through all
the Apollo program, which

765
00:40:35,988 --> 00:40:37,920
is supposed to be
Greek, but it ends up

766
00:40:37,920 --> 00:40:40,660
that there's really a dual
meaning to all this stuff

767
00:40:40,660 --> 00:40:42,260
and it's Egyptian.

768
00:40:42,260 --> 00:40:45,520
And what he's saying is-- what
he's clearly saying to people

769
00:40:45,520 --> 00:40:48,940
is look, these are ruins.

770
00:40:48,940 --> 00:40:50,190
There is structure.

771
00:40:50,190 --> 00:40:52,840
This is what we're
really doing on the moon.

772
00:40:52,840 --> 00:40:54,610
And I think what
they're doing is

773
00:40:54,610 --> 00:40:58,130
they're trying, in a subtle
way, to let people know-- either

774
00:40:58,130 --> 00:41:00,000
because they remember
it subconsciously

775
00:41:00,000 --> 00:41:05,710
or because they are deliberately
trying to send us messages

776
00:41:05,710 --> 00:41:09,820
under the radar-- that they
did not go there and pick up

777
00:41:09,820 --> 00:41:10,790
a bunch of rocks.

778
00:41:10,790 --> 00:41:13,320
But instead, what
they brought back,

779
00:41:13,320 --> 00:41:15,680
or what they were
sent to investigate,

780
00:41:15,680 --> 00:41:18,740
was ancient,
extraterrestrial ruins.

781
00:41:18,740 --> 00:41:20,380
One of the most
important things

782
00:41:20,380 --> 00:41:23,790
to keep in mind whenever you're
looking at any NASA imagery--

783
00:41:23,790 --> 00:41:27,480
whether it's Apollo
imagery or imagery of Mars,

784
00:41:27,480 --> 00:41:31,690
it doesn't really matter--
perspective is everything.

785
00:41:31,690 --> 00:41:33,870
We see human beings
down here on terra firma

786
00:41:33,870 --> 00:41:37,460
are afforded one
perspective of the moon.

787
00:41:37,460 --> 00:41:39,740
We look at it and that's
what we have to look at.

788
00:41:39,740 --> 00:41:42,920
We don't know what the moon
looks like from the side

789
00:41:42,920 --> 00:41:44,930
or from different
oblique angles.

790
00:41:44,930 --> 00:41:47,600
All we have is this
singular representation

791
00:41:47,600 --> 00:41:48,950
that we have to look at.

792
00:41:48,950 --> 00:41:51,470
And NASA has, in fact,
gone to great lengths

793
00:41:51,470 --> 00:41:54,210
to ensure that the imagery
that they show us of the moon's

794
00:41:54,210 --> 00:42:00,240
surface resembles very closely--
both in photometric function,

795
00:42:00,240 --> 00:42:03,680
as well as in angling.

796
00:42:03,680 --> 00:42:05,930
And the dimensional
properties of the image

797
00:42:05,930 --> 00:42:07,940
make it appear as
if it would look

798
00:42:07,940 --> 00:42:10,240
just like it does from Earth.

799
00:42:10,240 --> 00:42:13,890
One of the primary obfuscation
techniques that NASA uses

800
00:42:13,890 --> 00:42:16,310
is to simply rotate the imagery.

801
00:42:16,310 --> 00:42:19,430
They insert a false horizon
in their oblique imagery.

802
00:42:19,430 --> 00:42:23,230
By turning these
images upside down,

803
00:42:23,230 --> 00:42:26,410
it alters-- vertical
objects suddenly

804
00:42:26,410 --> 00:42:27,680
don't cast shadows anymore.

805
00:42:27,680 --> 00:42:30,650
The shadows aren't
in the right places.

806
00:42:30,650 --> 00:42:34,650
And this technique has been
used since the dawn of the space

807
00:42:34,650 --> 00:42:37,550
age-- since the Lunar
Orbiter missions,

808
00:42:37,550 --> 00:42:40,810
since even before that
with Ranger missions--

809
00:42:40,810 --> 00:42:44,032
to make things appear as we
humans expect them to appear.

810
00:42:44,032 --> 00:42:45,740
Because we look through
a telescope here.

811
00:42:45,740 --> 00:42:47,073
We say, oh, that's how it looks.

812
00:42:47,073 --> 00:42:50,650
So from the side, it
probably looks like this.

813
00:42:50,650 --> 00:42:53,240
The reality is it doesn't.

814
00:42:53,240 --> 00:42:55,390
The moon is a very
three-dimensional object.

815
00:42:55,390 --> 00:42:57,040
Hasselblad cameras
were the ones

816
00:42:57,040 --> 00:42:59,410
that were used by
NASA to photograph

817
00:42:59,410 --> 00:43:00,870
everything on the moon.

818
00:43:00,870 --> 00:43:02,545
And the reason the
Hasselblad was used

819
00:43:02,545 --> 00:43:05,965
was because they had
registration crosshairs.

820
00:43:05,965 --> 00:43:07,590
These registration
crosshairs are there

821
00:43:07,590 --> 00:43:10,100
for a specific reason.

822
00:43:10,100 --> 00:43:11,970
There so that you can
take a single photo

823
00:43:11,970 --> 00:43:13,030
with a single camera.

824
00:43:13,030 --> 00:43:15,400
So you'll be able to get
distance from an object

825
00:43:15,400 --> 00:43:18,790
to another object because of
the registration crosshairs

826
00:43:18,790 --> 00:43:21,440
that are built into
the Hasselblad cameras.

827
00:43:21,440 --> 00:43:24,570
These crosshairs are
always in front of whatever

828
00:43:24,570 --> 00:43:26,280
is being photographed.

829
00:43:26,280 --> 00:43:30,800
This is a perfect shot
of a photograph of one

830
00:43:30,800 --> 00:43:33,030
of the astronauts on the moon.

831
00:43:33,030 --> 00:43:36,990
Now, here you see the crosshairs
from the Hasselblad camera.

832
00:43:36,990 --> 00:43:38,150
OK?

833
00:43:38,150 --> 00:43:39,910
You can clearly see
that they are even

834
00:43:39,910 --> 00:43:42,532
in the darkness of space.

835
00:43:42,532 --> 00:43:46,730
But you can clearly see that
the crosshairs are there

836
00:43:46,730 --> 00:43:49,370
in exactly the positions
they should be.

837
00:43:49,370 --> 00:43:51,270
So in a lot of the
false horizons,

838
00:43:51,270 --> 00:43:55,660
they've eliminated the
crosshairs in the sky parts.

839
00:43:55,660 --> 00:43:58,980
And almost about 90%
of the moon shots

840
00:43:58,980 --> 00:44:00,560
have what we call
a false horizon.

841
00:45:04,240 --> 00:45:08,262
In 1999, William Burrows wrote
a book called "This New Ocean."

842
00:45:08,262 --> 00:45:09,970
It's a non-fictional
account-- supposedly

843
00:45:09,970 --> 00:45:12,960
non-fictional account--
of the space race.

844
00:45:12,960 --> 00:45:15,290
If you look at the
cover of that book,

845
00:45:15,290 --> 00:45:18,190
you'll notice that he has a
picture of the earth's horizon

846
00:45:18,190 --> 00:45:19,900
on it with the moon above.

847
00:45:19,900 --> 00:45:21,400
And on the cover
of this book, there

848
00:45:21,400 --> 00:45:23,730
are two black,
running parallel lines

849
00:45:23,730 --> 00:45:26,230
that climb up from
the earth and they

850
00:45:26,230 --> 00:45:28,820
pass the moon on either
side, paralleling it.

851
00:45:28,820 --> 00:45:30,550
It's interesting
when you go and look

852
00:45:30,550 --> 00:45:34,660
at the ISS and space
shuttle imagery of the moon

853
00:45:34,660 --> 00:45:36,390
from low Earth orbit.

854
00:45:36,390 --> 00:45:38,570
When you begin to
enhance those images

855
00:45:38,570 --> 00:45:44,390
and begin to attack the black
area of the sky that appears

856
00:45:44,390 --> 00:45:48,790
to be solid black-- and
there are different filtering

857
00:45:48,790 --> 00:45:52,390
techniques you could use
to draw that out-- you

858
00:45:52,390 --> 00:45:54,360
begin to realize
that those lines that

859
00:45:54,360 --> 00:45:56,080
are on the cover of
his book actually

860
00:45:56,080 --> 00:45:58,330
are appearing in
these photographs.

861
00:45:58,330 --> 00:45:59,830
And they don't
appear once or twice.

862
00:45:59,830 --> 00:46:01,930
You don't see this
effect once or twice.

863
00:46:01,930 --> 00:46:05,470
You see this in many,
many, many dozens

864
00:46:05,470 --> 00:46:08,100
of photographs that
are just of the moon.

865
00:46:08,100 --> 00:46:09,800
They appear when you
enhance the image.

866
00:46:09,800 --> 00:46:13,520
And obviously, Burroughs
knows something

867
00:46:13,520 --> 00:46:15,800
that the public's not privy to.

868
00:46:15,800 --> 00:46:17,980
He's really just a
classic outsider-insider,

869
00:46:17,980 --> 00:46:19,630
very much like
Andrew Chaikin is.

870
00:46:19,630 --> 00:46:22,350
He's a guy who knows what
the truth is but has agreed

871
00:46:22,350 --> 00:46:24,810
to perpetuate the lie,
rather than to reveal

872
00:46:24,810 --> 00:46:27,920
what the truth is for a
whole variety of reasons.

873
00:46:27,920 --> 00:46:30,570
Burrows does a fantastic
job of presenting to us

874
00:46:30,570 --> 00:46:33,240
exactly the propaganda
and the story line

875
00:46:33,240 --> 00:46:35,630
that the powers at be
have been selling us

876
00:46:35,630 --> 00:46:37,470
as being the truth for decades.

877
00:46:37,470 --> 00:46:40,210
And he gives the reader the
official historical cover story

878
00:46:40,210 --> 00:46:41,270
in brilliant details.

879
00:46:41,270 --> 00:46:43,860
He's someone who is most
definitely in the know.

880
00:46:48,020 --> 00:46:50,350
There are also frames in
which some of these lines

881
00:46:50,350 --> 00:46:53,670
appear to be behind the moon,
where you see the line rising

882
00:46:53,670 --> 00:46:56,210
up and being cut off as it
hits the lower limb of the moon

883
00:46:56,210 --> 00:46:58,805
before re-emerging again
on the exact opposite side

884
00:46:58,805 --> 00:47:00,180
of that interception
point, where

885
00:47:00,180 --> 00:47:03,760
it continues on its very
straight, linear path.

886
00:47:03,760 --> 00:47:06,360
And in these cases, you can
see that the lines do not

887
00:47:06,360 --> 00:47:08,490
transit in front of or
across the lunar disk,

888
00:47:08,490 --> 00:47:09,740
but rather, it's the opposite.

889
00:47:09,740 --> 00:47:11,840
The moon appears to be
transiting and covering

890
00:47:11,840 --> 00:47:12,960
these lines.

891
00:47:12,960 --> 00:47:14,840
So what's going on here?

892
00:47:14,840 --> 00:47:18,330
Why do all these NASA ISS frames
of the moon taken from LEO

893
00:47:18,330 --> 00:47:20,110
show these parallel lines.

894
00:47:20,110 --> 00:47:24,300
And why does his book cover
mimic this same visual?

895
00:47:24,300 --> 00:47:27,980
What are we seeing and
what is being represented?

896
00:47:27,980 --> 00:47:30,480
One hypothesis I've
heard has to do

897
00:47:30,480 --> 00:47:33,180
with what are called
space elevators, which--

898
00:47:33,180 --> 00:47:35,750
as the name implies-- are
elevator transport systems that

899
00:47:35,750 --> 00:47:38,800
can be used to lift things--
satellites, cargo, spacecraft,

900
00:47:38,800 --> 00:47:41,680
people-- from the
surface of the Earth--

901
00:47:41,680 --> 00:47:43,340
lift those up into space.

902
00:47:43,340 --> 00:47:46,200
Now, I realize that,
to many people,

903
00:47:46,200 --> 00:47:48,240
this idea of building
elevators with lengths

904
00:47:48,240 --> 00:47:51,690
of tens of thousands of
kilometers that could extend

905
00:47:51,690 --> 00:47:54,440
from the Earth's surface
up to geostationary orbit,

906
00:47:54,440 --> 00:47:57,420
or to the moon, probably
sounds ludicrous.

907
00:47:57,420 --> 00:47:59,420
Something that, if it
is possible at all,

908
00:47:59,420 --> 00:48:01,500
must be centuries and
centuries beyond what

909
00:48:01,500 --> 00:48:03,860
we're capable of doing today.

910
00:48:03,860 --> 00:48:07,120
But it really does not seem to
be as beyond state-of-the-art

911
00:48:07,120 --> 00:48:08,004
as one might think.

912
00:48:08,004 --> 00:48:10,170
These are the kind of
projects being worked on today

913
00:48:10,170 --> 00:48:11,550
and funded today.

914
00:48:11,550 --> 00:48:13,950
Back in 1999, NASA
sponsored what

915
00:48:13,950 --> 00:48:16,390
was called the space
elevator workshop.

916
00:48:16,390 --> 00:48:18,910
And its purpose was to
explore the feasibility

917
00:48:18,910 --> 00:48:22,630
of the development of space
elevators in the 21st century.

918
00:48:22,630 --> 00:48:24,850
And it discusses
plans for construction

919
00:48:24,850 --> 00:48:28,760
that would take place during
the later half of the century.

920
00:48:28,760 --> 00:48:30,500
And that's all the
unclassified stuff.

921
00:48:30,500 --> 00:48:31,750
That is with what they're
willing to tell us

922
00:48:31,750 --> 00:48:32,791
about their capabilities.

923
00:48:48,760 --> 00:48:51,320
Were the Egyptian
pharaohs and clergymen

924
00:48:51,320 --> 00:48:54,480
of their time aware of
subterranean places that

925
00:48:54,480 --> 00:48:56,710
had celestial functions?

926
00:48:56,710 --> 00:48:58,960
Judging by hieroglyphics
that were discovered

927
00:48:58,960 --> 00:49:01,750
in tombs of pharaohs,
such as Ramses,

928
00:49:01,750 --> 00:49:04,250
one can see a
collaboration between what

929
00:49:04,250 --> 00:49:08,370
the Egyptians described in their
time as a stairway to heaven

930
00:49:08,370 --> 00:49:12,310
and what we are seeing now with
these space elevators emanating

931
00:49:12,310 --> 00:49:14,930
from Earth.

932
00:49:14,930 --> 00:49:16,910
The vector-- NASA's
official logo--

933
00:49:16,910 --> 00:49:18,960
if you've ever looked at
NASA's official logo--

934
00:49:18,960 --> 00:49:22,010
both their official insignia
and their official seal--

935
00:49:22,010 --> 00:49:24,830
you'll see that the most
prominent object in the seal

936
00:49:24,830 --> 00:49:27,910
is a red, swishing object.

937
00:49:27,910 --> 00:49:29,870
They call that the
chevron, or the vector.

938
00:49:29,870 --> 00:49:33,400
If you ask NASA's public affairs
office that this symbology is

939
00:49:33,400 --> 00:49:35,870
featured so heavily in
their insignia and seal,

940
00:49:35,870 --> 00:49:38,050
they'll give you
what really amounts

941
00:49:38,050 --> 00:49:42,240
to the standard, facile cover
story for the unilluminated.

942
00:49:42,240 --> 00:49:46,530
They'll tell you that
that is a representation

943
00:49:46,530 --> 00:49:51,040
of a hypersonic wing design
from the 1950s, which was

944
00:49:51,040 --> 00:49:54,130
the time the logo was created.

945
00:49:54,130 --> 00:49:56,510
Not exactly the case.

946
00:49:56,510 --> 00:49:58,970
Someone might want to ask
the Russian Federal Space

947
00:49:58,970 --> 00:50:02,150
Agency, Roscosmos, that
was formed in 1992, why

948
00:50:02,150 --> 00:50:03,759
they chose that same logo.

949
00:50:03,759 --> 00:50:05,175
And while you're
at it, you can go

950
00:50:05,175 --> 00:50:09,000
ask the Chinese, who formed
their space agency in 1996 why

951
00:50:09,000 --> 00:50:10,840
in the world they're
using a hypersonic wing

952
00:50:10,840 --> 00:50:13,560
design from the 1950s
as their official logo.

953
00:50:13,560 --> 00:50:17,190
Then, you can ask the Japanese,
the South Koreans, Taiwanese,

954
00:50:17,190 --> 00:50:20,470
Malaysia, Mexico, Iran.

955
00:50:20,470 --> 00:50:23,970
All of these countries--
even Bulgaria-- they all

956
00:50:23,970 --> 00:50:26,690
utilize the vector symbology
in their space agency

957
00:50:26,690 --> 00:50:30,550
logos for their
national space agencies.

958
00:50:30,550 --> 00:50:31,440
It gets even deeper.

959
00:50:31,440 --> 00:50:34,130
You can go look at the
individual manned program

960
00:50:34,130 --> 00:50:35,200
patches for NASA.

961
00:50:35,200 --> 00:50:38,150
The Mercury Program,
for example--

962
00:50:38,150 --> 00:50:42,680
a blatant use of
covert symbology.

963
00:50:42,680 --> 00:50:45,570
In every logo dealing
with the Mercury Program,

964
00:50:45,570 --> 00:50:48,860
you'll see what looks like
a number 7 in their logo.

965
00:50:48,860 --> 00:50:51,219
And again, NASA's
official story is

966
00:50:51,219 --> 00:50:52,760
that they put this
number seven there

967
00:50:52,760 --> 00:50:56,310
so that they could pay homage
to the original seven Mercury

968
00:50:56,310 --> 00:51:00,430
astronauts, forgetting the
fact that only six Mercury

969
00:51:00,430 --> 00:51:02,680
astronauts actually flew
into space because number

970
00:51:02,680 --> 00:51:04,350
seven never did.

971
00:51:04,350 --> 00:51:07,910
Deke Slayton had a heart problem
so he didn't get to go up.

972
00:51:07,910 --> 00:51:10,780
So there were only six
Mercury astronauts.

973
00:51:10,780 --> 00:51:12,730
Yet, there's a seven
in every single logo.

974
00:51:12,730 --> 00:51:15,980
That's in the official mission
insig-- or official program

975
00:51:15,980 --> 00:51:18,840
insignia for Mercury, as well
as the six individual mission

976
00:51:18,840 --> 00:51:22,200
patches carried this logo.

977
00:51:22,200 --> 00:51:24,360
And it carries on to the
space shuttle program.

978
00:51:27,010 --> 00:51:30,300
If you look at the Apollo
logo, the Apollo logo

979
00:51:30,300 --> 00:51:31,620
has a big letter A in it.

980
00:51:31,620 --> 00:51:33,170
At least that's what
they want you to believe.

981
00:51:33,170 --> 00:51:33,970
But it's not.

982
00:51:33,970 --> 00:51:36,580
Again, that's just a simple
way of explaining away

983
00:51:36,580 --> 00:51:39,540
the inclusion of this vector
symbology in the logo.

984
00:51:44,515 --> 00:51:47,370
If you go to the
space shuttle program,

985
00:51:47,370 --> 00:51:50,910
the original space shuttle STS
program patch was a triangular

986
00:51:50,910 --> 00:51:55,380
patch that, again, hides the
use of the chevronic vector

987
00:51:55,380 --> 00:51:56,370
symbology.

988
00:51:56,370 --> 00:52:00,500
And that also goes for many
of the STS specific mission

989
00:52:00,500 --> 00:52:01,820
patches.

990
00:52:01,820 --> 00:52:04,020
Every single one of the
International Space Station

991
00:52:04,020 --> 00:52:07,760
expedition patches carry
the vector symbology.

992
00:52:07,760 --> 00:52:10,220
The Russian Mir space station
used the vector symbology.

993
00:52:10,220 --> 00:52:12,440
That was their official logo.

994
00:52:12,440 --> 00:52:15,430
And you can even
go deeper and look

995
00:52:15,430 --> 00:52:17,367
at military industrial
complex companies.

996
00:52:17,367 --> 00:52:19,700
Look at the logo on a company
like Lockheed Martin-- two

997
00:52:19,700 --> 00:52:21,920
vectors.

998
00:52:21,920 --> 00:52:26,470
The XPRIZE logo, Ames Research
Labs, US Space Command,

999
00:52:26,470 --> 00:52:28,480
when you get into
the military realm.

1000
00:52:28,480 --> 00:52:30,850
The United States Space
Command-- their official logo

1001
00:52:30,850 --> 00:52:32,170
is the vector symbol.

1002
00:52:32,170 --> 00:52:33,960
And when you look
at the military's

1003
00:52:33,960 --> 00:52:38,670
individual space-specific
programs, all of them

1004
00:52:38,670 --> 00:52:42,310
deal with the vector symbology
in their official insignias.

1005
00:52:42,310 --> 00:52:44,620
And the question
really becomes, who

1006
00:52:44,620 --> 00:52:47,740
or what are these
people paying homage to?

1007
00:52:47,740 --> 00:52:49,880
And the truth, quite frankly,
is out of this world.

1008
00:53:39,250 --> 00:53:43,350
This painting, entitled "The
Madonna with Saint Giovannino"

1009
00:53:43,350 --> 00:53:46,430
was made sometime
during the 1400s.

1010
00:53:46,430 --> 00:53:50,190
The artist's name is not
known, but at first glance

1011
00:53:50,190 --> 00:53:53,240
you can notice a
UFO shape in the sky

1012
00:53:53,240 --> 00:53:56,140
to the right side
of the Madonna.

1013
00:53:56,140 --> 00:53:58,880
If you were to see the
original full-size painting,

1014
00:53:58,880 --> 00:54:01,320
you would see the
object clearly.

1015
00:54:01,320 --> 00:54:04,510
Looking at the enlargement,
you can see a man and his dog

1016
00:54:04,510 --> 00:54:06,950
standing and looking
up at the object.

1017
00:54:06,950 --> 00:54:10,470
However, this painting has
something else being depicted.

1018
00:54:10,470 --> 00:54:12,110
On the left side
of the painting,

1019
00:54:12,110 --> 00:54:14,920
you see the sun and
some vector-like objects

1020
00:54:14,920 --> 00:54:18,700
seemingly flying from
or toward the sun.

1021
00:54:18,700 --> 00:54:22,340
Perhaps this artist was
trying to tell us something.

1022
00:54:22,340 --> 00:54:24,550
In another painting
of the Madonna made

1023
00:54:24,550 --> 00:54:26,590
by a completely
different artist,

1024
00:54:26,590 --> 00:54:30,220
the unusual patterns of the
sun and the vector-like symbols

1025
00:54:30,220 --> 00:54:31,960
have also been
patted prominently

1026
00:54:31,960 --> 00:54:33,350
on the Madonna's cloak.

1027
00:54:33,350 --> 00:54:36,250
You can see the same
symbology on this painting

1028
00:54:36,250 --> 00:54:37,840
as on the one before.

1029
00:54:37,840 --> 00:54:40,750
This time, however,
there is no UFO object

1030
00:54:40,750 --> 00:54:45,180
to be seen anywhere in the sky.

1031
00:54:45,180 --> 00:54:49,800
This footage was taken
over Mexico City in 2002.

1032
00:54:49,800 --> 00:54:51,890
There were many other
videos and photographs

1033
00:54:51,890 --> 00:54:54,960
taken of this same
type of object,

1034
00:54:54,960 --> 00:54:57,310
clearly resembling
the shapes as seen

1035
00:54:57,310 --> 00:55:00,425
on the visor of the
astronaut on the moon

1036
00:55:00,425 --> 00:55:02,940
and depicted in the
14th century paintings

1037
00:55:02,940 --> 00:55:06,220
of the Madonna and child.

1038
00:55:06,220 --> 00:55:09,550
There is probably a larger
story behind the vectors,

1039
00:55:09,550 --> 00:55:13,360
but it is very unusual this
symbology has been adapted

1040
00:55:13,360 --> 00:55:16,770
by all the United States
and foreign space agencies,

1041
00:55:16,770 --> 00:55:19,950
especially enemies like
Iran and others who are also

1042
00:55:19,950 --> 00:55:24,150
making missions to the moon.

1043
00:55:24,150 --> 00:55:25,638
Final control, Houston.

1044
00:55:25,638 --> 00:55:28,614
Switching now to the
voice of Jim Lovell.

1045
00:55:28,614 --> 00:55:29,606
By 60.5.

1046
00:55:29,606 --> 00:55:32,086
Good to hear your voice.

1047
00:55:32,086 --> 00:55:33,574
Apollo 8, Houston.

1048
00:55:33,574 --> 00:55:36,054
What does the old moon
look like from 60 miles?

1049
00:55:36,054 --> 00:55:37,542
Over.

1050
00:55:37,542 --> 00:55:39,526
OK, Houston.

1051
00:55:39,526 --> 00:55:42,198
The moon is, essentially, gray.

1052
00:55:42,198 --> 00:55:42,998
No color.

1053
00:56:00,420 --> 00:56:03,670
It's so unbelievably
beautiful.

1054
00:56:03,670 --> 00:56:06,250
All these natural colors
that exist out there

1055
00:56:06,250 --> 00:56:07,970
has never been shown to us.

1056
00:56:07,970 --> 00:56:12,050
I've seen, on TV, the
moon is gray and black

1057
00:56:12,050 --> 00:56:14,530
and it has no color.

1058
00:56:14,530 --> 00:56:17,370
Well, that couldn't be
farther from the truth.

1059
00:56:17,370 --> 00:56:19,660
It's really-- it's compelling.

1060
00:56:19,660 --> 00:56:21,540
I just want to see more.

1061
00:56:21,540 --> 00:56:24,330
And it blew me away.

1062
00:56:24,330 --> 00:56:25,660
It absolutely blew me away.

1063
00:56:25,660 --> 00:56:27,493
First of all, with
the Clementine Mission,

1064
00:56:27,493 --> 00:56:30,250
they took 1.8 million
images of the moon.

1065
00:56:30,250 --> 00:56:33,400
The high-resolution ones-- you
can't seem to get any of them

1066
00:56:33,400 --> 00:56:35,585
because-- well, they give
you different reasons why

1067
00:56:35,585 --> 00:56:37,710
you can't get them, but
you can't seem to get them.

1068
00:56:37,710 --> 00:56:39,590
But there's also these
natural color images.

1069
00:56:39,590 --> 00:56:41,330
And they are much,
much brighter.

1070
00:56:41,330 --> 00:56:43,380
They have far more
color than they should

1071
00:56:43,380 --> 00:56:45,127
if our models of
them are correct.

1072
00:56:45,127 --> 00:56:46,960
Now, there's two ways
you can approach this.

1073
00:56:46,960 --> 00:56:51,050
One, is it could very well
be that some of these areas--

1074
00:56:51,050 --> 00:56:53,550
let's say some of these areas
under these glass structures--

1075
00:56:53,550 --> 00:56:55,816
these domes-- are still intact.

1076
00:56:55,816 --> 00:56:57,440
That there's still
atmosphere in there.

1077
00:56:57,440 --> 00:57:00,310
That there is still
stuff growing there.

1078
00:57:00,310 --> 00:57:02,355
You would, obviously, have
plants and vegetation.

1079
00:57:02,355 --> 00:57:05,370
You'd have various things there
that you would need to survive

1080
00:57:05,370 --> 00:57:08,090
or that you would have simply
for the aesthetics of living

1081
00:57:08,090 --> 00:57:10,570
in an environment with
plants and animals.

1082
00:57:10,570 --> 00:57:13,750
So it's possible that's
what some of the stuff is.

1083
00:57:13,750 --> 00:57:15,500
Another distinct
possibility-- and this

1084
00:57:15,500 --> 00:57:17,000
is the one that I
tend to advocate--

1085
00:57:17,000 --> 00:57:20,360
is that if you really do have
these multiple layers of glass

1086
00:57:20,360 --> 00:57:22,960
structures all over the
moon, what's going to happen

1087
00:57:22,960 --> 00:57:26,710
is the light is going to scatter
and bounce all over the place.

1088
00:57:26,710 --> 00:57:29,790
And when it does that,
you get a prism effect.

1089
00:57:29,790 --> 00:57:34,000
And it, then, will combine
with other red or green or blue

1090
00:57:34,000 --> 00:57:35,750
and it will make other colors.

1091
00:57:35,750 --> 00:57:38,050
In order to comprehend
the significance

1092
00:57:38,050 --> 00:57:40,310
about the natural
color of the moon,

1093
00:57:40,310 --> 00:57:43,460
you need to know where
these images come from.

1094
00:57:43,460 --> 00:57:46,010
This is what is called
the skin of the moon.

1095
00:57:46,010 --> 00:57:48,160
It is the actual
surface that has been

1096
00:57:48,160 --> 00:57:50,400
stretched and flattened out.

1097
00:57:50,400 --> 00:57:52,420
When visual artists
wrap this skin

1098
00:57:52,420 --> 00:57:56,902
around a sphere in their 3D
programs, this is what you get.

1099
00:57:56,902 --> 00:57:59,220
Jose Escamilla
downloaded hundreds

1100
00:57:59,220 --> 00:58:03,760
of sections of the entire skin
that is available on the USGS

1101
00:58:03,760 --> 00:58:05,210
website.

1102
00:58:05,210 --> 00:58:08,990
The area of interest is in
this section here, located

1103
00:58:08,990 --> 00:58:11,096
on the front side of the moon.

1104
00:58:11,096 --> 00:58:14,180
When Jose zoomed into
this particular section,

1105
00:58:14,180 --> 00:58:16,850
he recognized some
very unusual features

1106
00:58:16,850 --> 00:58:19,150
and objects in the scene.

1107
00:58:19,150 --> 00:58:22,250
First of all, the terrain below
is clearly presenting itself

1108
00:58:22,250 --> 00:58:24,210
at an angular view.

1109
00:58:24,210 --> 00:58:26,660
The disk shape,
located here, appears

1110
00:58:26,660 --> 00:58:29,100
to be hovering
above the surface.

1111
00:58:29,100 --> 00:58:31,150
When you compare
this disk with others

1112
00:58:31,150 --> 00:58:32,990
that are closer to
the terrain, you

1113
00:58:32,990 --> 00:58:36,860
can clearly see this object
is not down on the terrain.

1114
00:58:36,860 --> 00:58:40,360
Jose found out very quickly that
there are more of these disks

1115
00:58:40,360 --> 00:58:42,050
all over the moon.

1116
00:58:42,050 --> 00:58:44,100
The disks that you will
see in other photos we

1117
00:58:44,100 --> 00:58:47,330
are going to present are
identical to this one.

1118
00:58:47,330 --> 00:58:49,470
They are hovering
on their sides,

1119
00:58:49,470 --> 00:58:53,430
and sometimes they are
hovering as these others below.

1120
00:58:53,430 --> 00:58:57,210
The other disks you will see are
different in color and details,

1121
00:58:57,210 --> 00:59:00,260
but they are shining light
onto the lunar surface,

1122
00:59:00,260 --> 00:59:04,010
as they do whatever they are
doing close to the terrain.

1123
00:59:04,010 --> 00:59:06,690
In all the photos Jose
presents in this film,

1124
00:59:06,690 --> 00:59:10,100
you are seeing the only clear
and detailed photography

1125
00:59:10,100 --> 00:59:14,460
ever released in full color
of real flying saucers.

1126
00:59:14,460 --> 00:59:17,940
NASA has known this and so
have the multitudes of people

1127
00:59:17,940 --> 00:59:19,980
connected to the space program.

1128
00:59:19,980 --> 00:59:23,350
Another thing that I
need to bring forth is,

1129
00:59:23,350 --> 00:59:26,540
in my first film-- "UFO-- The
Greatest Story Ever Denied"--

1130
00:59:26,540 --> 00:59:30,200
we had this whole segment on the
STS footage of the things that

1131
00:59:30,200 --> 00:59:31,380
are flying to the tether.

1132
00:59:31,380 --> 00:59:33,200
Things that have the donut hole.

1133
00:59:33,200 --> 00:59:35,340
But they seem to be alive.

1134
00:59:35,340 --> 00:59:37,250
I come to find out
that these things are

1135
00:59:37,250 --> 00:59:38,580
thriving on the moon's surface.

1136
00:59:38,580 --> 00:59:40,280
There are thousands of them.

1137
00:59:40,280 --> 00:59:42,810
And they're hovering
above the moon's surface.

1138
00:59:42,810 --> 00:59:45,010
Finding the full color
imagery that you're

1139
00:59:45,010 --> 00:59:47,900
looking at now-- the
natural colors of the moon--

1140
00:59:47,900 --> 00:59:50,160
it brings us to a
totally new reality

1141
00:59:50,160 --> 00:59:53,320
that the moon could have
been teeming with life back

1142
00:59:53,320 --> 00:59:55,410
in '94 when these
photos were taken,

1143
00:59:55,410 --> 00:59:57,250
or it may still be
teeming with life.

1144
01:01:16,200 --> 01:01:19,070
And the truth
is, once you look

1145
01:01:19,070 --> 01:01:21,430
at these pictures
of the moon or Mars,

1146
01:01:21,430 --> 01:01:24,620
and you realize that
this stuff is structure--

1147
01:01:24,620 --> 01:01:28,070
that there is artificial
structures there-- pretty

1148
01:01:28,070 --> 01:01:30,340
much everything's on the table.

1149
01:01:30,340 --> 01:01:32,480
There are so many
lunar landscapes

1150
01:01:32,480 --> 01:01:35,870
filled with color and textures
unlike anything ever seen

1151
01:01:35,870 --> 01:01:39,570
before with the human eye.

1152
01:01:39,570 --> 01:01:41,800
There are deep
crevices and overhangs

1153
01:01:41,800 --> 01:01:44,340
where you can see
immensely huge openings,

1154
01:01:44,340 --> 01:01:47,800
or what appear to
be cavern entrances.

1155
01:01:47,800 --> 01:01:51,140
There are far too many
gigantic and massive structures

1156
01:01:51,140 --> 01:01:52,940
as can be described.

1157
01:01:52,940 --> 01:01:54,860
You have to see
them for yourself

1158
01:01:54,860 --> 01:01:57,440
in order to grasp the
size of these complex

1159
01:01:57,440 --> 01:02:00,390
and, in most cases,
alien-like architecture,

1160
01:02:00,390 --> 01:02:02,650
as you have seen in many films.

1161
01:02:02,650 --> 01:02:05,690
You will even see some
strange vine-like webbing,

1162
01:02:05,690 --> 01:02:08,100
as depicted in Steven
Spielberg's "War

1163
01:02:08,100 --> 01:02:09,380
of the Worlds."

1164
01:02:09,380 --> 01:02:12,710
Glass domes, UFOs,
massive buildings,

1165
01:02:12,710 --> 01:02:15,670
and scaffolding spread
throughout the lunar terrain

1166
01:02:15,670 --> 01:02:18,940
in many sizes,
shapes, and forms.

1167
01:02:18,940 --> 01:02:21,170
It is evident the
missions to the moon

1168
01:02:21,170 --> 01:02:23,770
were more involved than
gathering rocks and dirt

1169
01:02:23,770 --> 01:02:24,930
samples.

1170
01:02:24,930 --> 01:02:27,430
There is no doubt
we went to the moon.

1171
01:02:27,430 --> 01:02:30,510
It is what was waiting
for us when we got there

1172
01:02:30,510 --> 01:02:31,560
that this film is about.

1173
01:03:20,330 --> 01:03:22,790
Finding the full-color
imagery that you're

1174
01:03:22,790 --> 01:03:25,635
looking at now-- the
natural colors of the moon--

1175
01:03:25,635 --> 01:03:27,860
it brings us to a
totally new reality

1176
01:03:27,860 --> 01:03:31,030
that the moon could have
been teeming with life back

1177
01:03:31,030 --> 01:03:33,130
in '94 when these
photos were taken,

1178
01:03:33,130 --> 01:03:35,080
or it may still be
teeming with life.

1179
01:03:35,080 --> 01:03:36,790
I think they are still there.

1180
01:03:36,790 --> 01:03:40,410
They were there in the
'70s when the last Apollo

1181
01:03:40,410 --> 01:03:41,820
mission was there.

1182
01:03:41,820 --> 01:03:43,490
I found lights on.

1183
01:03:43,490 --> 01:03:47,020
It seems that, at least
in some areas of the moon,

1184
01:03:47,020 --> 01:03:49,544
that the lights
might still be on.

1185
01:04:09,940 --> 01:04:12,000
We're talking
about the covering up

1186
01:04:12,000 --> 01:04:15,540
of hyperadvanced technology
that could do away

1187
01:04:15,540 --> 01:04:20,170
with fossil fuels-- our
dependence on fossil fuels.

1188
01:04:20,170 --> 01:04:22,530
We're talking about
technology that

1189
01:04:22,530 --> 01:04:27,500
allows for much quicker
transport through space

1190
01:04:27,500 --> 01:04:28,637
than we've ever been told.

1191
01:04:28,637 --> 01:04:31,220
What I think has happened is
that all these other countries,

1192
01:04:31,220 --> 01:04:33,890
somehow, have found out
that we went there--

1193
01:04:33,890 --> 01:04:35,890
that we brought back this
technology, that we're

1194
01:04:35,890 --> 01:04:38,200
exploiting this technology.

1195
01:04:38,200 --> 01:04:40,700
And they want a
piece of the action.

1196
01:04:40,700 --> 01:04:43,112
So that's why-- it's the only
reason why they would spend

1197
01:04:43,112 --> 01:04:45,570
the kind of money that they're
spending-- India, China, all

1198
01:04:45,570 --> 01:04:47,890
these-- Japan-- all
these countries--

1199
01:04:47,890 --> 01:04:49,360
to go back to the moon.

1200
01:04:49,360 --> 01:04:50,160
To what?

1201
01:04:50,160 --> 01:04:50,930
To collect rocks?

1202
01:04:50,930 --> 01:04:52,060
No, they're going back
there because there's

1203
01:04:52,060 --> 01:04:54,090
something incredibly
valuable there

1204
01:04:54,090 --> 01:04:56,440
that they know that we have--
the United States brought

1205
01:04:56,440 --> 01:04:58,970
back-- that they
want a piece of.

1206
01:04:58,970 --> 01:05:02,250
And it's a tremendous risk.

1207
01:05:02,250 --> 01:05:04,795
There's not just simply the
risk to the astronauts lives.

1208
01:05:04,795 --> 01:05:08,250
There's-- if you believe
some of the stories--

1209
01:05:08,250 --> 01:05:11,910
there's even a risk to other
people that might already be

1210
01:05:11,910 --> 01:05:12,710
there.

1211
01:05:12,710 --> 01:05:15,940
And the end
result, I have found

1212
01:05:15,940 --> 01:05:17,880
that the moon is in full color.

1213
01:05:17,880 --> 01:05:20,430
It's not a black
and white object.

1214
01:05:20,430 --> 01:05:24,170
It's not made of impact
craters and this kind of thing.

1215
01:05:24,170 --> 01:05:25,340
There's a lot more to it.

1216
01:05:25,340 --> 01:05:28,870
NASA has deliberately tempered
a lot of the photography.

1217
01:05:28,870 --> 01:05:30,930
They've eliminated
the crosshairs

1218
01:05:30,930 --> 01:05:33,940
to eliminate what was in
the background in the sky

1219
01:05:33,940 --> 01:05:35,930
or in the landscapes.

1220
01:05:35,930 --> 01:05:38,180
And there are some
very significant things

1221
01:05:38,180 --> 01:05:38,980
that have occurred.

1222
01:05:38,980 --> 01:05:41,620
All we say-- we don't
know the answers.

1223
01:05:41,620 --> 01:05:44,216
In this whole realm,
none of us-- none

1224
01:05:44,216 --> 01:05:45,590
of these individual
researchers--

1225
01:05:45,590 --> 01:05:47,630
not necessarily Jose,
not Richard and I,

1226
01:05:47,630 --> 01:05:49,470
not-- we don't have
all the answers.

1227
01:05:49,470 --> 01:05:51,440
Various-- we all have
a piece of the puzzle.

1228
01:05:51,440 --> 01:05:53,040
We all see different
parts of it.

1229
01:05:53,040 --> 01:05:56,240
And there's certain aspects of
this that we're all good at.

1230
01:05:56,240 --> 01:05:57,970
All I'm presenting
to you-- and it's

1231
01:05:57,970 --> 01:06:03,170
backed up with facts-- all my
films present you with evidence

1232
01:06:03,170 --> 01:06:05,490
that is fully acknowledged.

1233
01:06:05,490 --> 01:06:06,950
You can back trace it.

1234
01:06:06,950 --> 01:06:09,900
You can do, as they say, back
engineer everything I present.

1235
01:06:09,900 --> 01:06:11,250
It's all there for you to see.

1236
01:06:11,250 --> 01:06:13,796
What we do know
is that there's

1237
01:06:13,796 --> 01:06:14,920
more information out there.

1238
01:06:14,920 --> 01:06:17,930
Again, there's 1.8
million Clementine images

1239
01:06:17,930 --> 01:06:18,770
sitting on the web.

1240
01:06:18,770 --> 01:06:22,885
No one person can access
even a handful of those

1241
01:06:22,885 --> 01:06:27,130
and look at them and study
them and find stuff on them.

1242
01:06:27,130 --> 01:06:30,750
What we need is for people
that see these films

1243
01:06:30,750 --> 01:06:33,920
and see documentaries
like this to understand

1244
01:06:33,920 --> 01:06:35,580
that this stuff does exist.

1245
01:06:35,580 --> 01:06:37,230
They can't hide it all.

1246
01:06:37,230 --> 01:06:39,910
When I was talking with
the gentleman from BellComm

1247
01:06:39,910 --> 01:06:43,850
and we were discussing
the lie, everything

1248
01:06:43,850 --> 01:06:47,950
he was telling me was different
from what we were being told

1249
01:06:47,950 --> 01:06:49,390
was the truth.

1250
01:06:49,390 --> 01:06:53,660
And at one point, I asked him--
I said, man, you guys lied

1251
01:06:53,660 --> 01:06:54,830
about a lot, didn't you?

1252
01:06:54,830 --> 01:06:56,582
And instantly, he said, no.

1253
01:06:56,582 --> 01:06:58,040
We didn't lie about
certain things.

1254
01:06:58,040 --> 01:07:00,090
We lied about everything.

1255
01:07:00,090 --> 01:07:01,340
None of it was true.

1256
01:14:49,901 --> 01:14:54,040
And we have vowed
that we shall not

1257
01:14:54,040 --> 01:14:58,590
see a governed by a
hostile flag of conquest,

1258
01:14:58,590 --> 01:15:02,490
but by a banner of
freedom and peace.

1259
01:15:02,490 --> 01:15:04,790
We have vowed that
we shall not see

1260
01:15:04,790 --> 01:15:09,050
space filled with weapons
of mass destruction,

1261
01:15:09,050 --> 01:15:12,706
but with instruments of
knowledge and understanding.

1262
01:15:12,706 --> 01:15:16,240
Yet the vows of
this nation can only

1263
01:15:16,240 --> 01:15:21,230
be fulfilled if we, in
this nation, are first.

1264
01:15:21,230 --> 01:15:24,330
And therefore, we
intend to be first.